Tuesday, 19 July 2011

South African Jazz

South African jazz

From Wikipedia, the free encyclopedia
Jump to: navigation, search
South African jazz is the jazz music of South Africa, also often mistakenly called "African jazz".

Contents

 History

As in the United States, South African jazz was strongly influenced by the music styles of the black population. That said influences from the US led to its formation. The first jazz in the country was done by a Dixieland band from New Orleans that came to the nation after World War I. In this period Queenstown would be an important point in the development of a South African jazz. Boet Gashe and William Mbali's Big Four were among the early jazz successes in South Africa, although both had relationship to the blues as well. Later the Jazz Maniacs entered the scene and mixed influences from Marabi music to Duke Ellington.
The 1950s saw an increasing bebop influence and also increasing restrictions by the Apartheid government. Still the decade saw the rise to prominence of Chris McGregor, Johnny Gertse, Makaya Ntoshoko Jonas Gwangwa, and others. A notable group from the period, and one of the most notable South African jazz groups of all time, was The Jazz Epistles. It featured trumpeter Hugh Masekela and saxophonist Kippie Moeketsi. The South African tour of American John Mehegan gave more interest to this music in the wider world.
The 1960s brought a considerable decline as many musicians were forced or chose to leave South Africa because of political repression. This would be true of Dollar Brand (aka Abdullah Ibrahim) and his wife, singer Sathima Bea Benjamin. Many of these musicians died in exile, but Louis Moholo Moholo was one exception. That said, jazz did survive in this period with singers like Abigail Kubheka and Thandi Klaasen; Cape Jazz musicians Robbie Jansen and Hotep Idris Galeta; and others
The end of apartheid has brought a revival of jazz music.
  • Other notable South African jazz musicians

 Individuals[1]

  • Banzai Bangani-Composer and trumpeter.
  • Ronnie Beer-Flautist and saxophonist.
  • Jonathan Butler-Guitarist, also does Rhythm and blues.
  • Basil “Manenburg” Coetzee-Saxophonist, deceased
  • Johnny Dyani-Composer and double bassist, deceased
  • Mongezi Feza-Composer, trumpet player, and flutist.
  • Paul Hanmer-Composer and pianist.
  • Moses Khumalo-Saxophonist.
  • Allen Kwela-Guitarist.
  • Early Mabuza-Drummer.
  • Sammy Maritz-Bassist.
  • Dorothy Masuka-Singer born in Zimbabwe, moved to South Africa at twelve.
  • Tete Mbambisa-Composer, pianist, singer.
  • Harry Miller-Composer and bassist.
  • Dennis Mpali-Trumpeter, deceased
  • McCoy Mrubata-Saxophonist and flautist.
  • Nikele Moyake-Saxophonist.
  • Moses Taiwa Molelekwa-Pianist, deceased
  • Sipho Gumede - bass guitaristist, deceased
  • Christopher Columbus Ngcukana-Saxophonist, deceased.
  • Concord Nkabinde-bass guitar player.
  • Zim Ngqawana-Composer, flautist and saxophonist.
  • Dudu Pukwana-Composer, saxophonist, and pianist deceased .
  • Barney Rachebane-Saxophonist.
  • Lucky Ranku-Guitarist resident in London
  • Judith Sephuma-Singer, now an Afro-pop singer seldom sings jazz.
  • Phillip Tabane-Composer and guitarist.
  • Mabi Thobejane-Drummer.
  • Marcus Wyatt-Composer, trumpeter, and producer.
  • Andile Yenana-Pianist.
  • Tony Schilder- Pianist.
  • Kolosa Qomoy- Bongo Drums.
  • Esther Miller- Vocalist now residing in London
  • Mpumi Dlamini- Saxophone, Piano, Composer - Multi instrumentalist
  • Claude Deppa- Trumpet - Resident in London
  • Cyril Magubane, Guitar, Deceased
  • Morris Goldberg, Saxophones- Resident in New York * Adam Glasser- Harmonica, Composer - Resident in London
  • Tutu Puoane- Vocalist - Resident in Belgium
  • Estelle Kokot- Vocalist, Pianist, Vocalist, Composer, Resident in London
  • Ratau Mike Makhalemele- Saxophone, deceased
  • Rus Nerwich- Saxophone
  • Sammy Webber- Electric Bass * Schalk Joubert- Electric Bass
  • Stix Hojeng- Piano
  • Themba Dlamini- Guitar
  • Bokani Dyer- Piano
  • Kesivan Naidoo- Drums * Winston Mankunku Ngozi- Saxophone, deceased * Bheki Mseleku- Piano, Saxophone, deceased * Paul Petersen- Guitar, Vocals * Ernie Smith- Guitar, Vocals * Sandile Shange- Guitar, deceased * Blues Ntaka- Vocals * Pat Matshikiza- Piano * Johnny Fourie- Guitar, deceased * Themba Mkhize- Piano * Bheki Khoza- Guitar * Jimmy Dludlu- Guitar * Blacky Tempi- Trumpet * Alan Gordon- Trumpet * Ian Smith- Trumpet * Peter Sklair- Bass * Theo Bophela- Piano * John Davies- Trombone * Allou April- Guitar, Vocals * Anna Davel- Vocals * Marc Duby- Bass * Rob Blaine- Piano, Keyboards * Ratau Mike Makhalemele- Saxophone, deceased * Bridget Mitchell- Vocals, resident in Hong Kong * Ike Moriz- Vocals * Julian Bahula- Band Leader, resident in London * Bushy Dubazana- * Richard Ceasar- Vocals Guitar * Melanie Scholtz- Vocals, Piano * Lisa Bauer- Vocals, drums * Fundile Mdingi- Bass * Tshepo Mngoma- Violin * Tammy- Bass * Robbie Jansen- Alto Sax, Flute, Vocal, deceased * Hilton Schilder- Piano, multi instruments
  • Derrick Schippers- Guitar * Amanda Tiffin- Vocals, Piano * Alvin Dyers- Guitar * Errol Dyers- Guitar * Andre Abrahams – Bass * Avzal Ismael- Piano * Alan Cameron- Piano * Alison Dewar- Vocals * Andile Mseleku- Vocals * Andrew Ford- Piano * Maud Damons- Vocals, resident in London * Donald Tshomela- Vocals, deceased * Andrew Lilley- Piano, Trumpet * Barney Rachebane- Saxophone * Shannon Mowday- Saxophone * Feya Faku- Trumpet * Ezra Ngcukana - Saxophone, deceased * Bongani Nkwanyana- Bass * Brian Thusi- Trumpet * Bridget Mitchell- Vocals – Resident in Hong Kong * Carlo Mombelli- Bass * Mac McKenzie- Guitar * Dave Lithins- Piano, deceased * David Bravo- Piano, Keyboards – Resident in New York * Denzil Weale- Piano * Derek Hutton- Piano * Don Laka- Piano, Keyboards * Donald Tshomela- Vocals, deceased * Ebrahim Kalil Shihab– Previously known as Chris Schilder - Piano * Frank Mallows- Vibes * Brydon Bolton- Acoustic Bass * Gavin Minter- Vocals, Saxophone * Glen Mafoko- Vocals, Bass * Gloria Bosman- Vocals * GTX (Ismael) Xaba- Piano * Harold Jefta- Alto Sax, Woodwinds – Charlie Parker exponent, resident in Sweden * Harry Talas- Vocalist, Acoustic bass * Hilton Gelderbloem- Vocals * Hilton Mowday- Saxophones, resident in Australia * Ivan Mazuze- Saxophone * James Scholfield- Guitar * Jason Reolon- Piano * Jonathan Crossley- Guitar * Kani Naidoo- Guitar * Kgaogelo Mailula- Trumpet * Khaya Mahlangu- Saxophone * Kyle Shepherd- Piano, Saxophone * Leslie Kleinsmith- Vocals * Mark Fransman- Piano, Saxophones, Vocals * Mark Ginsburg- Saxophones, Resident in Australia * Megeshen Naidoo- Piano * Melissa van der Spuy- Piano, Vocals * Merton Barrow, Piano, Vibes * Mervyn Africa- Piano * Mike Perry- Piano * Mlungisi Gegana- Bass * Sylvia Mdunyelwa- Vocals * Moses Khumalo- Saxophones * Moss Mogale- Guitar * Neil Gonsalves- Piano * Nhlanhla Magagula- Piano, deceased * Prince Kupi- Guitar * Robert Payne- Keyboards * Sammy Hartman- Piano * Sasha Sonnbichler- Guitar * Buddy Wells- Saxophones * Nick Carter- Guitar * Soi Soi Gqeza- Vocals * Sydney Ace Mnisi- Saxophones * Sylvester Mazinyane- Piano * Moreira Chonguica- Saxophones * Tony Cedras- Guitar, Piano – resident in New York * Vusi Khumalo- Drums * Wessel van Rensberg- Piano * Zelda Benjamin- Vocals * Ian Herman- Drums, Resident in New York * Alex Van Heerden- Trumpet, deceased * Sean Bergin- Saxophone, Flute, resident in Holland * Bobby Gien- Drums * Dave Ledbetter- PIano, Guitar, Vocals * Tina Schouw- Guitar, Vocals * Lulu Gontsana- drums, deceased * Basil Moses- Bass

 Groups

  • The Blue Notes
  • Tucan Tucan
  • Airborne
  • Chameleon
  • Loading Zone
  • Uhambo
  • MJ 9
  • Jazz Ministers
  • Clive Sharrock Big Band
  • Jonny Cooper Big Band
  • Kesivan And The Lights
  • Cassidy-Clarke Band
  • Jazz Monitors Quintet
  • Offshore
  • Abstractions with Duke Makasi
  • The Elite Swingers
  • Little Giants
  • Don Jeany
  • Rush Hour
  • Absolute Zero
  • African Jazz Pioneers
  • Afronaut
  • Alexander High School Big Band
  • Archie Silansky & Dan Hill
  • Benguela
  • Bezz Martin Jazz Capers
  • Breakfast Included
  • Brian Abrahams District Six
  • The Prisoners Of Strange
  • Brotherhood Of Breath
  • Concert Boulevard
  • Cool Cats
  • Creeper
  • Nu Jazz Connection
  • Afro Cool Concept
  • Dondo
  • Elite Swingsters
  • Fourfourty
  • Hanepoot & The Biggish Band
  • Heshoo Beshoo
  • Jazz Ambassadors
  • Jazz Dazzlers
  • Jazz Ministers
  • Jazz Disciples
  • Jazz Monitors
  • Manhattan Brothers
  • Merry Macs
  • Modern Jazz Quintet
  • Monday's Jazz Quintet
  • Moss Mogale Unit
  • National Youth Jazz Band
  • Ntemi Piliso & The Alexander All Stars
  • Ojoyo
  • Pacific Express
  • Phatbrass
  • Rise
  • Sheer All Stars
  • [[Short Attention Span
  • [[Soft Landing
  • Standard Bank National Youth Jazz Band
  • Tamu * The Blue Heads
  • The Classic Jazz Masters
  • The Dominant Seven
  • Track Five
  • The Ghoema Kings
  • The Glenn Robertson Jazz Band
  • The Jazz Epistles
  • The Moreira Project
  • The Rhodes University Jazz Band
  • The Trio
  • Tonk
  • Tribe
  • Truly Fully Hey Shoo Wow Band
  • UCT Big Band
  • Virtual Jazz Reality
  • Voice

 Web sources

 

Thursday, 14 July 2011

Ladysmith Black Mambazo - Heavens Door

Ladysmith black mambazo's history

History
Joseph Shabalala formed Ladysmith Black Mambazo because of a series of dreams he had in 1964, in which he heard certain isicathamiya harmonies (isicathamiya being the traditional music of the Zulu people). Following their local success at wedding ceremonies and other gatherings, Shabalala entered them into isicathamiya competitions. The group was described as 'so good' that they were eventually forbidden to enter the competitions, but welcomed to entertain at them.[2] Although they had been recognised as an isicathamiya group in 1964, they had been singing together since the early 1950s. They released their first album, Amabutho, in 1973. The album, along with many other releases by the group, received gold disc certification.[3] Ladysmith Black Mambazo's collaboration with Paul Simon in 1986 paved the way for international releases, making them widely known across the world.

1960–1986

The first incarnation of Ladysmith Black Mambazo was "Ezimnyama" ("The Black Ones"), formed by Shabalala in December 1960. The members of the group were relatives (mostly brothers and cousins) of Shabalala, with many having sung with him while he was growing up on the farm where he was born. Although the group did sing well together and captured the sound of cothoza mfana (tip toe boys, a 1960s slang term for isicathamiya) and mbube groups of the time, they were unknown outside of the Ladysmith district.[4]
In 1964, Shabalala had a series of recurring dreams during his sleep, over a period of six months, featuring a choir singing in perfect harmony.[5] Shabalala described this as a beautiful sound, and one not yet achieved by his group of the time. As a result, he reformed the group, bringing on board newer (younger) relatives but keeping the group name. He strived to teach them the harmonies from his dreams, creating what was to become a signature tune for the group: "Nomathemba" (a girl's name - meaning "hope"). After deciding that this group well replicated the beautiful, soft sounds from his dreams, Shabalala entered the group into isicathamiya competitions, held on Saturday nights in the halls of hostels in Durban and Johannesburg. The group managed to win nearly every competition that was held. As a result, Shabalala decided to change the name of the group to be more descriptive of its talent. The name "Ezimnyama" was replaced by "Ladysmith Black Mambazo".
The three elements of the new name were: the hometown of Shabalala's family, Ladysmith, KwaZulu-Natal; the black ox, considered to be the strongest farm animal; and mambazo, which means axe in the Zulu language, and is symbolic of the choir's ability to "chop down" the competition.
Eventually, by the early 1970s, the group was forbidden to compete in the competitions because of their continual success. They were, however, welcome to perform without taking part in the competition itself.[6]
In 1967, the group began to make recordings for the SABC station Radio Zulu, appearing in DJ Alexius Buthelezi's popular Cothoza Mfana programme which spotlighted the music of several local choirs.[7] Their success was so great that music producers began enticing the group to sign a recording contract. In 1972 the group signed with Gallo Record Company under producer West Nkosi at the organisation's African music division, Mavuthela Music Company (Nkosi was also well known in South Africa as a saxophone jive star). Ladysmith Black Mambazo released their first album the following year, Amabutho, which received gold status and was the first album by a black musician or group in South Africa to do so. Their subsequent albums also received gold or platinum certification.[8] With the release of their second album, they had become professional singers.[7]
In 1976, Shabalala converted to Christianity and a host of religious material now entered the group's repertoire. Mambazo's first religious album, Ukukhanya Kwelanga, was released soon afterwards. It earned a double platinum disc award, and the group's repertoire came to be dominated by hymns, mostly Methodist. Their 1977 LP Ukusindiswa became one of their most popular religious albums, selling double gold discs within three weeks of release.[8] By 1981, the group's popularity was such that the apartheid government allowed the members to travel to Cologne, Germany as part of a South African folk music festival.[9] The group toured West Germany and appeared on television, and learned some of the German language; for the group's 1981 album Phansi Emgodini, Shabalala composed a song titled "Wir Grüssen Euch Alle" ("We greet you all"). The following year, the group traveled back to Germany to appear on a televised quiz programme, bringing about requests for more live appearances.[9] A track by the group also appeared on the groundbreaking British compilation album The Indestructible Beat of Soweto.

 1986–1993

In 1985, Paul Simon traveled to South Africa in the hope of collaborating with African musicians for his Graceland album. Simon contacted Shabalala and conversed with him in person - after much discussion and excitement, the group traveled to London to record with Simon. The first recording was "Homeless" - the music and chorus were composed by Simon, with Shabalala composing the Zulu introduction and main (non-English) body of the song. Graceland was released in late 1986, and although both Joseph Shabalala and Paul Simon were accused of breaking the cultural boycott of South Africa,[10] the album became a huge success and sold 16 million copies[11] and further boosted Ladysmith Black Mambazo's international image. This also paved the way for other African acts such as Stimela and Mahlathini and the Mahotella Queens to gain popularity amongst Western audiences.[12]
After Graceland, Simon acted as producer on three records for the group aimed at the American market, Shaka Zulu (1987), Journey of Dreams (1988) and Two Worlds, One Heart (1990). On the latter album, the group recorded with The Winans, Julia Fordham and George Clinton among other then-popular artists. Shaka Zulu was nominated (and won) in the category of Best Traditional Folk Recording in the Grammy Awards 1988.
In 1988, Ladysmith Black Mambazo appeared in Michael Jackson's movie Moonwalker, where they performed "The Moon Is Walking" (an abridged version of the song "Lindelani", which appears on Journey of Dreams) over the end credits. Ladysmith Black Mambazo was also featured in the Sesame Street song "Put Down The Duckie".
In 1988, Ladysmith Black Mambazo sang an arrangement of "Mbube" during the opening sequence of the movie Coming to America, but the song was not released on the soundtrack.
On 10 December 1991, Shabalala's brother and one of the bass members in the group, Headman Shabalala, were shot and killed by Sean Nicholas, a white off-duty security guard. Paul Simon, who believed the killing to be racially motivated, led the court proceedings against Nicholas.[13] Joseph Shabalala stopped singing. Eventually, aided by his Christian beliefs, he returned to singing. Following the retirement of three more members in 1993, Shabalala recruited four of his sons into the group.[14]

1993–2002

The Apartheid system was abolished in 1991. The release of Nelson Mandela after 27 years imprisonment brought a celebratory album release - 1993's Liph' Iqiniso. The album's last track, "Isikifil' Inkululeko" ("Freedom Has Arrived"), was a celebration of the end of Apartheid.[15]
According to Shabalala, Nelson Mandela (shortly after his release from prison) publicly stated that the members of Ladysmith Black Mambazo were "South Africa's cultural ambassadors".[16] Ladysmith Black Mambazo accompanied the future President of South Africa to the Nobel Peace Prize ceremony in Oslo, Norway at the request of Nelson Mandela, in 1993. Mambazo sang again at President Mandela's inauguration in May 1994, and then later at his birthday celebrations.[17]
In 1997, for a series of television advertisements entitled "Toast for Life" for Heinz soups, baked beans, salad cream, and tomato ketchup, the group recorded an abridged version of "Inkanyezi Nezazi" ("The Star and the Wiseman"). The adverts proved so popular that the original studio version (recorded back in 1992) was released as a single, with the cover art imitating the label on a tin of Heinz Baked Beans; the single reached #2 in the UK Pop Charts. The single was followed up by The Best of Ladysmith Black Mambazo - The Star and the Wiseman in 1998, a compilation release which became so popular that it was certified triple platinum, selling 1 million copies in Britain alone.[18] The Heinz campaign led to a reawakening of the group in Britain, and many television and radio performances beckoned over the next few years, as well as performing for the British royal family. In 2001, the group was referenced in the Family Guy episode Lethal Weapons.

2002–2006



As a follow-up to the traditional release Lihl' Ixhiba Likagogo in 2000, the group began preparations for Wenyukela, another album of new material, in 2002. However, the making of the record underwent severe strain when, in May 2002, Shabalala's wife of thirty years (and lead singer in the allied group "Women of Mambazo"), Nellie, was murdered in a church car park by a masked gunman. Shabalala's hand was injured trying to protect his wife.[19] Joseph's son Vivian Nkosinathi was accused of hiring a hitman to murder his stepmother Nellie. During the court trial, Nkosinathi supposedly testified that the South African police offered some kind of reprieve if he would implicate his own father, Joseph, in the murder.[20]
Wenyukela, however, went ahead, as Shabalala began to recover. Songs such as "Wenza Ngani?" ("How Did You Do That?") had a moral theme, such as racism. Others included "Fak' Ibhande" ("Don't Drink and Drive"), which warned of the dangers of alcohol and driving; "Wenyukela", which spoke of the resurrection of Jesus and how South Africans were nearly misled into killing each other during the 1994 elections;[21] and "Selingelethu Sonke", a song asking for fair trade in Africa. The group had originally spoken of the issue of fair trade in the Oxfam campaign Make Trade Fair. They appeared as guests in "The Big Noise", a worldwide petition for fair trade.[22]
The success of Wenyukela in South Africa prompted its release in Britain in March 2003 on Wrasse Records. Following the repeated success of the album, the American-based Heads Up International released the album in January 2004. In addition to the standard version, Heads Up released the album in the Hybrid SACD format. The US release reportedly went platinum[23] and it garnered the group their second Grammy Award. They also embarked on a three month tour of the United States.
The group signed to Heads Up (in America; they remained with Gallo in South Africa) with their 2005 release, No Boundaries, a collaboration with the English Chamber Orchestra which featured many classical standards (Jesu, Joy of Man's Desiring, Ave Verum Corpus) and Mambazo tunes (Homeless, Awu, Wemadoda, Ngingenwe Emoyeni). Despite initial worry about merging European traditions and Zulu folklore, the album sold very well[24] and was nominated for a Grammy Award.

 2006–2008

Ladysmith Black Mambazo performing in 2006
Long Walk to Freedom, a celebration of 45 years of Ladysmith Black Mambazo, was released by the group on 24 January 2006. On the album (which also celebrated the 20th anniversary of Graceland), the group recorded with a multitude of artists including Zap Mama, Sarah McLachlan, Melissa Etheridge, Joe McBride, Natalie Merchant, Emmylou Harris, and Taj Mahal as well as South African musicians Lucky Dube, Phuzekhemisi, Bhekumuzi Luthuli, Nokukhanya, Thandiswa, Vusi Mahlasela and Hugh Masekela. Ladysmith Black Mambazo also expressed wishes to work with Paul Simon once more, twenty years on since Graceland.[25]
To support the promotion of the album and tour, Mambazo appeared on various television and radio programmes throughout January and February 2006. The group also started a street team; this is currently exclusive to fans in the US and Canada.[26]
In April 2006, Mambazo collaborated with Josh Groban for his third studio album, Awake. The songs, "Weeping" and "Lullaby", featured a clear South African influence; lines from a Mambazo song, "Wangibambezela" ("Message from his Heart") were added to the backing track of "Weeping". Following this, in August 2006, Mambazo began working with Mavis Staples in a collaboration for Staples's new album.[27] Whilst Mambazo toured the United States, the television program Saturday Night Live parodied the group in a TV Funhouse sketch, hosted by Dennis Haysbert, about failed Saturday morning cartoons starring black cartoon characters, one of which was a cartoon featuring the group called, Ladysmith Black Mambazo in Outer Space. Members of the group added commentary to the short for the DVD release of the SNL special, "The Best of TV Funhouse".[28]
On October 17, 2006,[29] Ladysmith Black Mambazo performed a special concert, Long Walk to Freedom: An Evening with Ladysmith Black Mambazo. The night included special guest appearances by Sarah McLachlan, Natalie Merchant, Mahotella Queens, Vusi Mahlasela, and Pete Seeger.
Ladysmith Black Mambazo was nominated for two Grammy Awards in the 49th Annual Grammy Awards in 2007, for their album Long Walk to Freedom. The album was nominated in the categories Best Contemporary World Music Album and Best Surround Sound Production, but did not win.
Ladysmith Black Mambazo's 2007 album, Ilembe, was released on February 26, 2007. It was released in South Africa initially, and issued in the United Kingdom on the Warner Jazz label on April 2, 2007 (under the title Ilembe - Our Tribute to King Shaka). The album featured new recordings such as "Ommu Beno Mmu" ("Somebody And Somebody"), "Sizobalanda" ("We Are Here") and "Iphel' Emasini" ("A Cockroach In The Milk" - Zulu proverb). The album was released in the United States on January 22, 2008, under the title Ilembe: Honoring Shaka Zulu, on Heads Up International.

There had been many questions on when founder, director, composer, and lead singer Joseph Shabalala would finally retire from his group. On January 23, 2008, Shabalala issued a statement on this.[30]
The full statement is reproduced below:

“In the early 1960's I had a dream of a type of singing group that I wanted to create. Not just a dream, in the wishful way, but an actual dream while I was asleep. This beautiful dream led to the creation of my group, Ladysmith Black Mambazo. Now, some forty five plus years later this original dream has led to so many more dreams. We have been awarded Grammy Awards, represented our homeland of South Africa at many prestigious events, including accompanying Nelson Mandela to Norway to receive the Nobel Peace Prize, traveled the world so many times and most importantly, spread a message of Peace, Love and Harmony to millions of people. This was never a dream a black South African could ever imagine.
As the years have passed, and the 20th century became the 21st, I started to get asked what will happen to Ladysmith Black Mambazo once I retired, if I ever retired. Well, I have spent much time thinking about this. Ladysmith Black Mambazo was never about one person. Ladysmith Black Mambazo is a mission. A mission to spread our message and to keep our culture alive and known. South Africa is a most wonderful place, filled with beautiful people. By touring, as we have, almost seven months every year for over twenty years, we have wanted to keep South Africa alive in people's hearts.
Ladysmith Black Mambazo is a family. Within the group I have had brothers and cousins singing together. Over the past fifteen years, because of retirements and death, I have been joined by four of my sons. They are the future of Ladysmith Black Mambazo, our next generation. The mission and message will continue. When the time comes for me to finish touring and to stay home they will carry on my dream. As well, my son Thamsanqa (Tommy) will become the new leader of the group. Thus, the dream I had over forty five years ago will continue well into the 21st century. Ladysmith Black Mambazo must continue as the message of Peace, Love and Harmony never must be silenced. We never will be silenced and we hope our fans and friends around the world will keep wanting to hear this message.
Ngiyabonga! Thank you!
”
—Joseph Shabalala, January 23, 2008

Ladysmith Black Mambazo's 2007 release, Ilembe, garnered success on both sides of the world. In 2008 the group won the SAMA Award for Best Traditional A Cappella Album for Ilembe, and it was announced in November 2008 that the US Surround sound version of the album was nominated for Best Traditional World Music Album in the 2009 Grammy Awards, marking their 13th Grammy nomination. The group won this award - their third Grammy - in the ceremony held on 8 February 2009.
In September 2008, Mambazo in collaboration with the SABC Choir released My Dream - African Sounds, an album featuring the two choirs performing each other's songs, as well as singing together. Songs included are "Plea for Africa", original Mambazo tunes "Shintsha Sithothobala" and "Angimboni Ofana Naye", as well as new compositions like "Buya Lindiwe" and "Okuhle Hle".
Ladysmith Black Mambazo's 2010 album Kobuye Kulunge was released in April 2010, initially in South Africa only. It is expected to be released internationally by the end of the year.

 The Ladysmith Black Mambazo Foundation

In January 1999, Joseph Shabalala founded The Ladysmith Black Mambazo Foundation. The aim of the organization is to teach young Zulu South African children about their traditional culture and music; isicathamiya. Today, the Mambazo Academy is currently being built, with plans for a rehearsal hall, teaching areas and a professional recording studio. The main aim, of course, is to promote and teach the history of isicathamiya music to youngsters.

Awards and nominations

Ladysmith Black Mambazo have been acknowledged in award ceremonies such as the Grammy Awards and Academy Awards. In 1988, the group received their first Grammy Award for the album Shaka Zulu, which was their first release recorded for the American market. Since then, they have won two more, and have been nominated for a total of thirteen times.

1981SARIE AwardBest Choral Group on Disc
1988Grammy AwardBest Traditional Folk RecordingShaka Zulu
1993Drama Desk AwardOutstanding Music in a PlayThe Song of Jacob Zulu (stage)
1996Drama Desk AwardBest Original Music ScoreNomathemba (stage)
1997SAMA AwardBest Zulu Music AlbumUkuzala-Ukuzelula
1997SAMA AwardBest Duo or Group AwardUkuzala-Ukuzelula
2001SAMA AwardBest Zulu Music AlbumLihl' Ixhiba Likagogo
2005Grammy AwardBest Traditional World Music AlbumRaise Your Spirit Higher
2008SAMA AwardBest Traditional A Cappella AlbumIlembe
2009Grammy AwardBest Traditional World Music AlbumIlembe: Honoring Shaka Zulu

[


1988Grammy AwardBest Traditional Folk RecordingShaka Zulu
1991Grammy AwardBest Traditional World Music AlbumClassic Tracks
1993Grammy AwardBest Traditional World Music AlbumBest of - Vol. 1
1995Grammy AwardBest Traditional World Music AlbumLiph' Iqiniso
1995Grammy AwardBest Traditional World Music AlbumGift of the Tortoise
1996Grammy AwardBest Traditional World Music AlbumThuthukani Ngoxolo
1998Grammy AwardBest Contemporary World Music AlbumHeavenly
1999Grammy AwardBest Traditional World Music AlbumLive at the Royal Albert Hall
2001Academy AwardBest Short Documentary FilmOn Tiptoe: Gentle Steps to Freedom
2002Emmy AwardBest Cultural DocumentaryOn Tiptoe: Gentle Steps to Freedom
2005Grammy AwardBest Traditional World Music AlbumRaise Your Spirit Higher
2006Grammy AwardBest Contemporary World Music AlbumNo Boundaries
2007Grammy AwardBest Contemporary World Music AlbumLong Walk to Freedom
2007Grammy AwardBest Surround Sound ProductionLong Walk to Freedom
2009Grammy AwardBest Traditional World Music AlbumIlembe: Honoring Shaka Zulu

KZN MUSIC HOUSE CELEBRATING FIRST BIRTHDAY

KZN Music House Celebrates First Birthday

 
 
KZN Music House, officially launched last year, will present a special First Birthday Concert at The Playhouse from Thursday 31 March to Saturday 2 April 2011.
Devised and directed by Mbongeni Ngema, this special concert programme will feature a star line-up of artists from KZN Music House's roster, headed by Mr Ngema himself.
Artists set to appear in the show include Mfiliseni Magubane, Natalie Rungan, Bullistic, Sosha, Chaos, Mgarimbe, Matshitshi Ngema, Vusi Mahlanze, with Simphiwe Madela and Afro Soul. Look out for special appearances on 1 April only by Mandoza and Zakes Bantwini.
MEC Michael Mabuyakhulu will deliver the keynote address at a special First Birthday function for invited guests, to be held at KZN Music House on 1 April at 2.30pm for 3pm. The function will include Ethekwini Mayor Obed Mlaba on its VIP guest list, anKZN Music House, officially launched last year, will present a special First Birthday Concert at The Playhouse from Thursday 31 March to Saturday 2 April 2011.
Devised and directed by Mbongeni Ngema, this special concert programme will feature a star line-up of artists from KZN Music House's roster.
Artists set to appear in the show include Mfiliseni Magubane, Natalie Rungan, Bullistic, Sosha, Chaos, Mgarimbe, Matshitshi Ngema, Vusi Mahlanze, with Simphiwe Madela and Afro Soul. Look out for special appearances on 1 April by Mandoza and Zakes Bantwini.
MEC Michael Mabuyakhulu will deliver the keynote address at a special First Birthday function for invited guests, to be held at KZN Music House on 1 April at 2.30pm for 3pm. The function will include Ethekwini Mayor Obed Mlaba on its VIP guest list, and will be supported by the KZN Departments of Economic Development and Tourism, and Arts and Culture.
The occasion will mark the launch of a new in-house music shop, situated on the premises of KZN Music House. The event will also mark the launch of a new KZN Music House audio disc entitled Vezikhono Maskandi Compilation Volume 1. Six groups of Maskandi artists featured on this compilation CD will perform at the launch function. They are Amajili, iMpunyela, Abafana Bemvuselelo, Oqedukuhleka, Cupha Noxolo, Thula Sibone Nolusese.
Following the function at KZN Music House on 1 April, the invited guests will attend a VIP dinner at The Playhouse between 6pm and 7pm, before attending the evening's performance of the celebratory concert programme in the Opera theatre.
Admission is free. To secure a seat and for all telephonic media enquiries, call Silindile Mabhida at KZN Music House on 031 309 6160/5.

d will be supported by the KZN Departments of Economic Development and Tourism, and Arts and Culture.
The occasion will mark the launch of a new in-house music shop, situated on the premises of KZN Music House. The event will also mark the launch of a new KZN Music House audio disc entitled Vezikhono Maskandi Compilation Volume 1. Six groups of Maskandi artists featured on this joint compilation CD will perform at the launch function. They are Amajili, iMpunyela, Abafana Bemvuselelo, Oqedukuhleka, Cupha Noxolo, Thula Sibone Nolusese.
Following the function at KZN Music House on 1 April, the invited guests will attend a VIP dinner at The Playhouse between 6pm and 7pm, before attending the evening's performance of the celebratory concert programme in the Opera theatre.
Admission is free. To secure a seat and for all telephonic media enquiries, call Silindile Mabhida at KZN Music House on 031 309 6160/5.

Friday, 8 July 2011

The Morning Prayer

Mbongeni Ngema's Biography


Mbongeni Ngema (born May 10, 1955) a South African writer, lyricist, composer and director was born in Verulam, KwaZulu-Natal (near Durban). He started his career as a theatre backing guitarist.
He is married to actress Leleti Khumalo. Leleti who received a 1988 Tony Award nomination for Best Actress in a Musical for Sarafina!; as well as starring as the leading role in South Africa's first Oscar-nominated film/move, Yesterday.
He co-wrote the multi-award winning Woza Albert!.[1] In some sectors of South African society, Ngema is considered a racist because of his controversial song, AmaNdiya (about racism that Blacks in KwaZulu-Natal have suffered at the hands of Indians). It was banned in the country soon after it was released in 2002, and even Nelson Mandela had asked Ngema to apologize but Ngema refused.